导演:未知
主演:Giles Thomas Ewan McGregor Louise Germaine Peter Jeffrey Clive Francis
The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by 欧美 衣领上的唇印在线观看免费完整版由达达兔影院www.ddtu50.com于2023-11-28 12:11:46收集整理于网络,并提供衣领上的唇印全集优酷、腾讯、奇艺、芒果等高清视频观看模式,达达兔影院所有的播放线路均不需要下载任何播放器(有的浏览器需要开启FLASH插件)。这里有各种搞笑,经典的电影,以及各大电视台热播的国产电视剧,韩剧,日剧,美剧,港剧等同步更新,让你在空闲下来的时候,可以尽情欣赏一部好看的电影、连续剧和综艺节目,为你带来愉快的心情!在观看中体会人生百态,在电影中感受奇思妙想,丰富情感,通过感官感受电影所带来的一切,在内心深处形成感情的共鸣。
The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.